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As May envelops us and spring erupts, memories of personal transformative events flood my consciousness.

May is the anniversary of my mother’s death.
May is the month of my first visit to the Odin and an unexpected encounter with the Magdalena Project.

In a period like the one we are living in, permeated by the absurd experience of Covid, this worldwide political wave that does not protect anything that is essential, such as nature that surrounds us, how can I be present and still believe in a future? I asked myself this about three years ago, both as a person and as an artist, and I also came to the point where I asked myself why I make theatre.

In a period like the one we are living in, permeated by the absurd experience of Covid, this worldwide political wave that does not protect anything that is essential, such as nature that surrounds us, how can I be present and still believe in a future? I asked myself this about three years ago, both as a person and as an artist, and I also came to the point where I asked myself why I make theatre.

Em um período como o que estamos vivendo, permeado pela experiência absurda do Covid, essa onda política mundial que não protege nada do que é essencial, como a natureza que nos cerca, como posso estar presente e ainda acreditar em um futuro ?

reflections from the Reverbe Meeting/2022 and an invitation to discuss

 

reflections from the Reverbe Meeting/2022 and an invitation to discuss

 

reflections from the Reverbe Meeting/2022 and an invitation to discuss

 

In a period like the one we are living in, permeated by the absurd experience of Covid, this worldwide political wave that does not protect anything that is essential, such as nature that surrounds us, how can I be present and still believe in a future? I asked myself this about three years ago, both as a person and as an artist, and I also came to the point where I asked myself why I make theatre.

In a period like the one we are living in, permeated by the absurd experience of Covid, this worldwide political wave that does not protect anything that is essential, such as nature that surrounds us, how can I be present and still believe in a future? I asked myself this about three years ago, both as a person and as an artist, and I also came to the point where I asked myself why I make theatre.

Reflexiones desde el Encuentro Reverbe/2022 y una invitación para hablar

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