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Why theatre? Bond Street Theatre spends much of its time in hotspots around the world, looking to give marginalized people a voice and agency. Theatre uplifts, informs, inspires - it attracts, rather than coerces. Theatre is Creative Diplomacy. At a time when diplomacy is most needed, here are two stories to paint the picture...
Magdalena Aotearoa has made it into the pages of the official New Zealand History website, with an article that traces the group's journey from its beginning, through the organisation and realisation of an international festival in 1999 and up to the present day.
Bond Street Theatre joins Dining for Women in helping women around the world! Thanks to generous support from Dining for Women, we are embarking on three-year creative arts projects for women in Afghanistan, Malaysia and Myanmar!
This spring (March 2019) an international jury met to select two exemplary laureates for this year’s Princess Margriet Award: Ahdaf Soueif (Cairo/London) and City of Women Festival (Ljubljana). This year’s laureates represent distinct cultural approaches, but both offer a more hopeful vision of democracy by redefining our understanding of culture and its capacity to improve a common European social reality.
The Telegraph reports that Sandi Toksvig is calling for the National Theatre to be renamed after “failing” to fully represent Britain because it is “ignoring” female writers and directors.
Ms Toksvig, founder of the Women’s Equality Party and who hosts television programmes including The Great British Bake Off, wrote that the theatre did not have the right to use ‘national’ in its title if it ignored half the population.
The Southbank theatre has unveiled six plays in its new programme of work, all written by men and only one involving a female director.
