Found 69 results
Author Title Type [ Year(Asc)]
B. Mastrominico, « Active Spectatorship and Co-creation in the Digital Making of Flanker Origami », Body, Space and Technology, vol. 22, nᵒ 22, 2023.
B. Mastrominico, « Home-specific Performance and the Digital Staging of the Domestic in Flanker Origami », International Journal of Performance Arts and Digital Media, 2023.
G. Aniksdal, « Looking onto the Boulder », Contemporary Theatre Review, vol. 32, nᵒ 3-4, p. 342-346, 2023.
C. Contin Arlecchino, Gli abitanti di Arlecchinia (The inhabitants of Arlecchinia). Campanotto, 2019.
J. Graham-Jones, Lola Arias: Re-enacting life. Performance Research Books, 2019.
C. Jacobson, « Magdalena Aotearoa 1997 –  », Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available:
G. Adams, Aniksdal, G., Gale, M. B., et Varley, J., Risking Hope: an anthology of women in theatre. Holstebro, Denmark: The Open Page Publications / Odin Teatret Forlag, 2019, p. 94.
L. V. Sander, Shakespeare's Women (Recycled) / As Mulheres de Shakespeare (recicladas). Registered at the Nacional Library, Brazil, on 29/4/2019, 2019.
M. B. Gale et Dorney, K., Stage women, 1900-50: Female theatre workers and professional practice. Manchester: Manchester University Press, 2019, p. 328.
G. Adams, Aniksdal, G., Gale, M., et Varley, J., Future Conditional - Notes for Tomorrow. Holstebro: The Open Page Publications, 2017.
V. Ann Cremona, Galli, F., et Varley, J., THINKING WITH THE FEET / PENSARE CON I PIEDI. Holstebro: Odin Teatret, 2017.
H. V. Jamieson, « We collaborate [t]here: processes of networked collaboration », in Intersecting Art and Technology in Practice: Techne/Technique/Technology, Routledge, 2017.
ACTING & BEING: Explorations in Embodied Performance, First Edition. London: Palgrave Macmillan, 2016, p. 239.