Bibliography

Found 68 results
Author [ Title(Desc)] Type Year
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
L
J. Graham-Jones, Lola Arias: Re-enacting life. Performance Research Books, 2019.
G. Aniksdal, “Looking onto the Boulder”, Contemporary Theatre Review, vol. 32, no. 3-4, pp. 342-346, 2023.
M
N. Mateo, “Maestras en el Magdalena Project”, Primer Acto. Cuadernos de investigación teatral, no. n. 341, pp. pp.87-91, 2011.
L. Wade Soule, “Magdalena 1995: Mothers of Invention”, New Theatre Quarterly, vol. 12, no. 45, pp. 85-86, 1996.
J. Greenhalgh, “Magdalena - a polemic, a festival”, Performance Magazine, no. 42, 1986.
C. Jacobson, “Magdalena Aotearoa 1997 – ”, Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available: https://nzhistory.govt.nz/women-together/magdalena-aotearoa.
S. Bassnett, Magdalena: International Women's Experimental Theatre. Oxford - New York - Munich: Berg Publishers, 1989.
S. Bassnett, Magdalena: international women's experimental theatre. Oxford: Berg, 1992.
J. Greenhalgh and Gale, M. B., “Magdalena@25: Articulating the Magdalena Project – Past, Present and Future”, Contemporary Theatre Review, vol. 23, no. 2, 2013.
L. Simic and Underwood-Lee, E., Maternal Performance: Feminist Relations. Cham: Palgrave McMillan, 2022, p. XII, 252.
O
L. Corcuera, “Otra Genealogía del Teatro”, Artes Escénicas, vol. 159, 2011.
P
S. D'Agostino, “Per gemmazione carsica: The Magdalena Project a Cardiff”, ateatro, vol. 135, no. 90, 2011.
R. L. Goldberg, Performance Now. USA: Thames & Hudson, 2018, p. 256.
A. Dimitrakaki, Peraica, A., Orel, B., Kukovec, D., and DeLVe, G. S., Ratkovic, M., Grzinic, M., Pachmanová, M., Babic, M., Milevska, S., Hvala, T., and Tatarczuk, W., Performative Gestures Political Moves. Ljubljana: The City of Women, Ljubljana and Red Athena University Press, 2014.
R
C. Castrillo, Rastros – el mapa de un oficio . Madrid, España: Libreria Yorick, 2018.
Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2022.
M. Porter, Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2021, p. 172.
F. Babbage, “`A Review of The Open Page: Issue One "Women Theatre Myth"”, Vol 6, Part 2, 1997.
G. Adams, Aniksdal, G., Gale, M. B., and Varley, J., Risking Hope: an anthology of women in theatre. Holstebro, Denmark: The Open Page Publications / Odin Teatret Forlag, 2019, p. 94.
S
C. Ciccarelli, “Sguardo all'interno sul Magfest/ Corpo – Parola – Potere”, Culture Teatrali , 2012. [Online]. Available: http://www.cultureteatrali.org.
L. V. Sander, Shakespeare's Women (Recycled) / As Mulheres de Shakespeare (recicladas). Registered at the Nacional Library, Brazil, on 29/4/2019, 2019.
V. Featherstone, Snatches: Moments from 100 Years of Women's Lives. Nick Hern Books, 2018, p. 112.
M. B. Gale and Dorney, K., Stage women, 1900-50: Female theatre workers and professional practice. Manchester: Manchester University Press, 2019, p. 328.
T
P. Baul and Ramanathaiyer, S., Tantidhatri One. Trivandrum, India: Ekathara Kalari, 2016, p. 108.
M. Naspolini, “Teatro feito por mulheres é tema de encontro mundial”, Jornal A Notícia , Florianópolis, 2004.

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