I am a student from Falmouth University in Great Britain. I am originally from Nigeria in West Africa but I live in Cornwall,South West of United Kingdom.

Comecei a trabalhar com teatro aos 14 nos e desde então não parei. Me profissionalizei com o Grupo Bagaceira de Teatro em Fortaleza. sou formada em pedagogia e trabalhei durante cinco anos como contadora de histórias do grupo Carochinha. Desde de 2006 moro em Ribeirão Preto e atualmente participo da Cia Nuvem da Noite, sou professora e coordeno o curso de iniciação teatral oferecido pela Instituição Ribeirão EM Cena. O curso de iniciação teatral para jovens e adultos de Ribeirão Preto dura dois anos e é gratuito.

Atriz, produtora e gestora cultural multiáreas.

Guadalupe Suárez Jofré - cel. guadalupesj@gmail.com

Es Magíster en Arte Latinoamericano UN de Cuyo, Argentina y Licenciada en Teatro UN. de Córdoba.

Finishing my studies in theatre directing this october. Also studied theatre costume and fashion design, and have done some costume design for TV, some installation art, so I'm trying to apply all of my interests in my theatre projects. I've done some theatre of the oppressed joker trainings, and would like to do start up some projects related to it in my country. Also I'm very interested in experimenting with physical theatre and sensorial theatre.

I am a Canadian multidisciplinary poet/performer/artist and educator working solo, in collaboration, and with community. My interests are in queer, anti-racist, transnational, intercultural, indigenous and feminist performance... better yet when all these coincide.

Helen trained as an actor at the Drama Studio, Sydney, 1982 – 84. Her first professional theatre work in New Zealand was with Mervyn Thompson and she performed in three of his plays over 1989 and 90. Since then her work in devising and physical theatre with Bert van Dijk was particularly inspiring and formative and she is drawing on this work in the direction of EARTHQUAKES AND BUTTERFLIES. Helen has devised, produced and toured 3 solo shows, the last of which, THE BONE KEEPER’S STORY, she co-wrote with Kathleen Gallagher.

I am a creator/performer of solo physical theatre and comedy currently performing a show called A Life In Her Day. It's an almost wordless physical comedy show about a lifetime in a day in an hour created out of every day objects using clown, mime, puppetry and theatre. I also write and perform short comic scenes in Variety theatres. I teach clown, physical comedy and movement theatre.

Goghi&Goghi is an artistic collective project born by the ideas of Mara Pieri, actress and performer, and Ila Covolan, writer and photographer. Goghi&Goghi work on several artistic projects aiming at fusing different artistic languages: in particular, it focuses on performances, videos, installation and theatrical plays that explore sickness, dystopia, gender and LGBTQ* issues, through the lens of intersectionality and a feminist approach.

I started acting, learning from the process of letting the self be in a play through a character. Through the  music, I have wanted to find my voice in theater. I play guitar not professionally, but it has been an incredible partner in this journey.

Then I develop a more professional craft producing spectacles to others. I have been an Electrician for 14 years and receantly a Lighting Designer, the only woman in my city, and maybe my state Chihuahua. 

ASHTAR is a Palestinian non-profit NGO found in 1991, by two prominent actors Iman Aoun and Edward Muallem. Today ASHTAR is a group of professional female and male actors and directors, who use theatre beyond its artistic means to create social change in our society. ASHTAR’s work is spread out in Palestine and internationally. Working with youth and women, focusing on human rights issues.

I am a PhD researcher on performance art in Balkans and works as an actress & director. She has presented many performances in festivals in Greece, Italy, Germany, Bosnia&Herzegovina etc.There are two main goals in her artwork: intimacy and tenderness. With everyday materials and texts from various contexts she tries to build a world where people will not feel persecuted, a world of security and trust. She draws her inspiration from lived experiences, her own or others'.

Ira Blazejewska is a Munich-born artist and curator working in the field of performance / song / sculpture / painting and staged total art spaces and cultural events.

Studied music and painting since early childhood.

After training in music and dance, she studied voice and musicology, while studying performed Chanson / Song programmes, founded a Klezmer band, and had two children.

I´m a musician, a cello player who feels a Magdalena. I did my classical studies in Germany and I travel around the world playing solo performance, with my Ensemble Luz and the Con fuoco quartet. I play modern music aswell and I compose my own music, also for different dance and theater companies.

Jacqueline is a director, performer, and playwright. A graduate of the University of Alberta’s BFA Acting Program, Jacqueline has toured across Western Canada with her feminist play Raunch (with co-creator Alice Nelson) which was most recently produced as a part of the Magnetic North Theatre Festival in June. Jacqueline is the Artistic Producer of Evergreen Theatre, where she directs and produces educational environmental children’s theatre that tours across the province. In 2011 Jacqueline produced “Girls gone Wilde” a festival of new work from emerging female playwrights.

Jadranka Andelic is a theatre director from Serbia who lives and work in Brazil from 2008. Theatre director of SEQUÊNCIA Cênicas that gathers a group of theatre artsist (actors, musicians,video maker, costime desinger,graphic desinher) from Rio de Janeiro. 2017 founded together with Eveline costa, the ESPAÇO SEQUENCIA, cultural space in Rio de Janeiro.

I studied Cultural and Gender Studies, and Fine Arts in Berlin and Moscow, and was trained as an aerialist and performer by Mike Wright, Orit Nevo, Mimbre, Gabriel Chame, Elias Cohen and Minako Seki. In my research I join various performance styles to forge my own genre between contemporary circus and physical theater: narrative circus. My personal style is largely influenced by Czech experimental theater and its strong tradition of object theater, as well as by Moscow Conceptualism. My themes I derive from my subjective view of the world and my feminist background.