The Magdalena Project is committed to nurturing an awareness of women's contribution to the theatre and performance, and to supporting exploration and research by offering concrete opportunities to as many women as possible, both in the profession and in study.

In August 1986, 38 professional women theatre practitioners from 15 different countries met in Cardiff, Wales, for three weeks at MAGDALENA '86 - The First International Festival of Women in Contemporary Theatre. This was the birth of the Magdalena Project.

Between 1986 and 1999, the Project had its administrative base in Cardiff, Wales. Under the artistic directorship of Jill Greenhalgh, hundreds of independent women theatre artists from 5 continents were invited to promote and share their performances and working methods.

During all this time and since, the Project has developed a unique horizontal structure which has enabled it to function internationally, and for the name and history of the Magdalena Project to be adopted and augmented by women all over the world.

The issues

So much women's art has been left unrecorded, leaving few precedents with which to compare work. The tide is, of course, turning and feminist theories of creativity have been rapidly emerging in the last twenty years.

However, the struggle of women in theatre is still couched very much in terms of winning a place within existing structures rather than in questioning the function of those structures. The Project has challenged this situation and encouraged women to examine their role in the future of theatre in more depth. Through looking at existing work by women, by sharing methodologies, by examining form as well as content or by making new material, the Project has been trying, practically, to reveal recurrent themes, vocabularies and images. Perhaps it's possible to begin to identify a theatre that has universal resonance for women - perhaps not - the work of the Project is to find out.

The Project aims to provoke the organisation of opportunities for women to explore new approaches to theatre making that reflect, more profoundly, their own experiences and political priorities.

The Magdalena Project has:

• hosted hundreds of international performances and women artists at festivals and workshops since 1986 (chronology);
• produced a newsletter that ran to 28 issues;
• published and disseminated The Open Page, an ongoing annual journal;
• a book in publication on the early activities of the Project and another presently under commission;
• collaborated in organising women's theatre events and festivals worldwide;
• presented the Magdalena at conferences world-wide;
• produced three full scale touring productions and initiated, supported and promoted many others;
• an accessible Research Archive of material relating to women and performance;
• lost count of the academic theses that have focused on the Project.
  

The project has a wide international network and is always glad to hear from those interested to interact: email .

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