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The Open Page
The Open PageA journal of women's thoughts, questions and visions for theatre, published annually since 1996 by Odin Teatret and the Magdalena Project. For further information and to order copies, visit http://www.theopenpage.org. DVD: The Articulate Practitioner - Articulating PracticeProduced and Compiled by Jill Greenhalgh and Mike Brookes This interactive DVD comprises research materials generated by The Magdalena Project: International Network of Women in Contemporary Theatre. The DVD includes documentary material from artist-led workshops, performances, performed lectures, presentations and academic papers. More information and how to order. The Way of Magdalena To order copies, email Published in 2007 by Open Page Publications, with the support of Odin Teatrets Forlag, Grenland Friteater, The Magdalena Project and CTLS - Centre for Theatre Laboratory Studies; ISBN EAN 978-87-87292-13-9. Magdalena: international women's experimental theatreCompiled and introduced by Susan Bassnett, this hardcover book records the early years of the Magdalena Project, illustrated with black and white photos. Contact the publisher: Berg, 77 Morrell Ave., Oxford, OX4 1NQ, UK. ISBN 0-85496-016-3. Magdalena Project NewsletterBetween 1986 and 1999, 28 issues of the Magdalena Project Newsletter were produced, featuring articles, news, photos, and information. Issues 1 to 14 have been condensed into a booklet, which is available for £10; individual copies of issues 15 - 28 are available for £1 each (includes postage) while stocks last - email to order. Magdalena Aotearoa NewsletterAn ongoing newsletter is also published by Magdalena Aotearoa (New Zealand). Please contact them directly to subscribe: .
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Written
by Chris Fry, The Way of Magdalena chronicles the main activities
of the first decade or so of The Magdalena Project. Starting with
the explosion onto the theatre scene in 1986 of the international
women’s theatre festival Magdalena ’86, the book traces
the various lines of development that rippled out from that cathartic
event. It examines the work of the founder and Artistic Director,
Jill Greenhalgh, and follows how her vision interacted with and inspired
more and more women to develop their own work and visions. It explores
many of the events that took place within this period, including those
which became the first of a series of events, such as the Transit
Festivals in Denmark, and the Festivals Voix de Femmes in Belgium.
The book also delves behind the scenes to examine the management structures
that evolved as The Magdalena Project grew and took on a life of its
own. Often using first hand experience and interviews as well as original
documentation, the book attempts to recreate and present the ways
of thinking that were prevalent at the time. It also brings an objectivity
that proffers a useful perspective to readers wishing to find out
more about the early years of this still growing international network.
